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In fact, David’Aƒc€ƒc™s encounters with a fire-branding Ku Klux Klan, rabid southern bigotry, and consequent incarcerations, are Strong’Aƒc€ƒc™s counterpoint to the story of how each president Cecil serves (from Eisenhower to Reagan (Allen’Aƒc€ƒc™s true-life service extended farther) deals with the specific civil rights issue of their time in office. As effective as is Daniels’Aƒc€ƒc™ cross-cutting from Cecil serving a formal state dinner to David and his girlfriend Carol (Yava Alafia) being refused service at the infamous Woolworth’Aƒc€ƒc™s lunch counter sit-in, other such ’Aƒc€ƒcœcoincidences’Aƒc€ƒc did not fare as well for me. (Scenes like Cecil’Aƒc€ƒc™s birthday, where happiness turns tragic in a matter of minutes, reek of sentimentality.) On reflection, this may be the result of living through so much of that history in all its random injustice. Perhaps a younger generation, less aware of the brutality and conflicts of desegregation, can benefit from the neat, theatrical way the film layers these events.


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